RECUT SUBTITLING & RESYNC

Your edit changed. Your subtitles should not have to be rewritten.

We retime existing subtitles after a re-edit, so every line lands on the right frame again — without paying for retranslation.

48 languages · 1-3 business days · SRT · WebVTT · TTML · STL · TPN Gold studio

OVERVIEW

48 languages · 1-3 business days · SRT · WebVTT · TTML · STL · TPN Gold studio

Subtitle resync is the retiming of existing subtitle files after a video has been re-edited. When a cut changes — a scene trimmed, a sponsor bumper added, a runtime adjusted for a new platform — every subsequent subtitle drifts out of sync. We accurately retime existing subtitles following video edits, ensuring perfect synchronization without requiring retranslation.

This matters because the translation is usually still perfect. The words are right; only the timecodes are wrong. Paying a linguist to translate the same dialogue again is a waste of budget, and re-approving new text costs more time than the edit itself. Our recut subtitling and resync services keep your approved translation and fix what actually broke.

We work across 48 languages and 63 regional versions, in every subtitle format your platform requires. As a TPN Gold certified production partner, DIGI MEDIA handles pre-release and licensed content under the same security standards as original production. Explore our work or send a brief for a custom quote.

WHEN YOU NEED IT

WHEN YOU NEED IT

Resync is not a quality problem. It is what happens when the picture changes after the subtitles were approved.

01

Re-edited films and series

Scenes trimmed, reordered or restored after the subtitle files were signed off.

Platform versions

A different runtime, frame rate or ad-break structure for each platform or territory.

02
03

Broadcast cuts

Content shortened for a broadcast slot, or lengthened with sponsor and compliance cards.

Frame rate conversions

23.976 to 25, or PAL to NTSC — every timecode shifts, every subtitle drifts.

04
05

Marketing and corporate re-edits

Campaign cutdowns, updated product shots and re-versioned corporate videos.

KNOW THE DIFFERENCE

Resync compared: retranslation, DIY retiming and professional resync

There are three ways to fix out-of-sync subtitles. Two of them cost more than they need to.

Criteria Full retranslation DIY retiming Digi Media resync
Translation reusedNo — translated again from scratchYesYes — your approved text is kept
Approval cycleNew text needs re-approvalNoneNone — wording is unchanged
Timing accuracyFrame-accurateDrift accumulates across the fileFrame-accurate, checked against picture
Reading speedRe-checkedNot checkedRe-checked after every shift
Line breaksRebuiltLeft as they wereAdjusted where the new cut requires it
FormatsDepends on vendorWhatever the editor exportsSRT, WebVTT, TTML, STL and broadcast formats
Multi-languageFull cost per languageManual per file, error-proneAll languages handled in one pass
CostHighestHidden cost of internal timeLowest of the three
Turnaround2-5 business daysUnpredictable1-3 business days
DECISION SUPPORT

Is resync what you need, or something else?

A quick self-check to confirm resync fits your situation — instead of new subtitles or a full retranslation.

✓ This service is right for you if

⚠️ You need something else if

Not sure which one you need? Send us the old subtitle file and the new cut — we’ll tell you within 24 hours whether it is a resync or a retranslation, and quote accordingly.

WHO WE HELP

Trusted by production companies, broadcasters and post-production studios

From post-production studios delivering final cuts to localization agencies managing multi-language libraries — our recut subtitling and resync services keep approved translations usable after every edit, across 48 languages.

Production Companies

Production houses re-versioning finished titles for new cuts, runtimes and delivery specifications.

Broadcasters

Channels adjusting programme length for broadcast slots, ad breaks and compliance cards.

Streaming Platforms

Platforms re-versioning catalogue content for different territories, runtimes and technical specifications.

Localization Agencies

Agencies keeping multi-language subtitle libraries in sync when a client updates the master.

Post-Production Studios

Studios delivering picture-locked versions where subtitle files must follow the final conform.

Film Distributors

Distributors preparing territory-specific versions from an existing subtitled master.

Marketing Teams

Teams re-cutting campaign videos where the approved copy stays but the edit changes.

Corporate Content Teams

Internal teams updating training and brand videos without re-running the whole translation.

Education & E-Learning

Course providers re-editing modules where the subtitle text is already approved.

WHY US

Why resync is worth doing properly

A subtitle that lands half a second late reads as a fault in the whole production. Manual retiming drifts as the file goes on, and the errors are hardest to spot at the end — where the audience is paying most attention. We check every shift against picture, not just against the previous timecode.

48

Languages · 63 versions

1-3

Business days

No

Retranslation needed

TPN Gold

Certified partner

OUR PROCESS

How subtitle resync works at DIGI MEDIA

Five steps from old file to platform-ready delivery — the company workflow, applied to re-edited material.

01

Transcription & File Intake

We take your existing subtitle files and the new cut, and check what changed between versions.

02

Caption Preparation

Existing translations mapped to the new edit, with any missing lines flagged rather than guessed.

03

Timing & Synchronization

Every line retimed frame-accurately to the new picture, with reading speed re-checked.

04

Quality Assurance

Full-length QC pass against picture, plus platform and broadcast compliance checks.

05

Delivery

Final files exported in SRT, WebVTT, TTML, STL or your platform's required format.

VOICE CAPABILITIES

Subtitle resync in 48 languages

We resync subtitle files across 48 languages and 63 regional versions, including right-to-left and non-Latin scripts, with reading speed re-checked per language.

48
Languages
63
Regional versions
42
European
6
Extended
See all 48 languages →
SEE IT IN ACTION

Inside a Digi Media resync workflow

The translation you already approved, landing on the right frame again.

Video and audio transcoding services by DIGI MEDIA — ProRes, DNxHD, H.264, H.265, IMF and DCP conversion with EBU R128 loudness normalization, HDR-to-SDR conversion and technical QC for broadcasters, streaming platforms and distributors worldwide with TPN Gold certified processes

Same words, right frame

Every resync project runs through our subtitling workflow — file intake and version comparison, mapping to the new cut, frame-accurate retiming, reading-speed QC, and platform-ready delivery in SRT, WebVTT, TTML, STL or broadcast formats across 48 languages.

CREDENTIALS

Certified, compliant, secure — global dubbing operations

Enterprise-grade certifications and compliance frameworks that broadcasters, distributors, and e-learning platforms require from their dubbing partners.

Network of native linguists

Subtitle specialists · 48 languages

ISO 17100 Aligned

Translation services quality standard

TPN Gold Certified

MPA-recognized content security

GDPR Compliant

EU data protection · encrypted rollouts
FAQ

Subtitle resync questions, answered

What is subtitle resync?

Subtitle resync is the retiming of existing subtitle files after a video has been re-edited. The translation stays as it is; only the timecodes are corrected so every line lands on the right frame again.

New subtitles mean translating the dialogue from scratch, which costs more and starts a new approval cycle. Resync keeps the approved translation and fixes only what the edit broke. If the dialogue itself changed, those lines are translated and the rest are resynced.

Typically 1-3 business days, depending on runtime and how many languages are involved. All languages are handled in the same pass, so ten languages do not take ten times as long.

SRT, WebVTT, TTML, STL, SCC, DFXP and broadcaster-specific formats. Send us whatever you have — if it is a subtitle file, we can read it, and we deliver in whichever format your platform requires.

We flag it rather than guess. New lines are quoted as translation, the rest as resync, so you only pay translation rates for what is genuinely new.

All 48 languages and 63 regional versions we work in, across Europe, the Caucasus and Central Asia, including right-to-left scripts. You can see the full list on our Languages page.

Yes. A shorter cut can push subtitles closer together, which breaks reading-speed compliance even when the timing is technically correct. We re-check characters per second across the whole file and adjust where needed.

Yes. 23.976 to 25, PAL to NTSC and film-to-broadcast conversions all shift every timecode in the file. We convert and verify against picture rather than applying a blanket offset.

Per runtime minute, per language, at a lower rate than original subtitling because the translation is reused. Multi-language and full-catalogue rates are available for libraries.

Yes. Re-edits usually happen before release, so files are handled in TPN Gold certified workflows under NDA, with controlled access throughout.

RELATED SERVICES

Complete your Subtitle resync

Resync works best alongside subtitling, SDH captions and translation. Explore the connected services that production companies, broadcasters and post-production studios combine with resync for complete subtitle delivery.

LET'S TALK

Ready to get your subtitles back in sync?

Send us the existing subtitle files and the new cut — we'll respond within 24 hours with a resync plan and quote.

✓ 24-hour quote · ✓ No retranslation · ✓ Frame-accurate · ✓ All formats · ✓ 48 languages